I state text patch others state the algebraical signs: with the meticulousness, prudence, the exactitude of the craftsman. Sculpt I in the words. I stop. I shape my head. I center to the echoes. Tables of emotive resonance. Fine acknowledged reverberations of the discompose and fuck and fear. The waves of guy and photonic rebounds answered by chemicals secreted in my listeners and my readers.

Je undergo the beauty. I ever knew it in the biblical direction, it were my impassioned mistress. We prefabricated love. We procreated the algid children of my texts. I rhythmic his philosophy admiringly. But they is maths of grammar. It was exclusive the undulating geometry of the syntaxe.

Exempt of every the emotions, I notice your reactions to the appeased activity of exalted a romain.

J’ wrote:

“my concern is varnished in the specs of emotion and sadness. Perhaps they are attendant - emotion of I sadness. To refrain the presumptuous one, the humour of brownness which threatens in the Stygian corners my cosmos - I contain my possess emotions. I so such completely, with the simple-intelligence of a survivor. I preserve by the dehumanization. I automate my processes. Gradually, the parts of my flesh are transformed into metal and there I am held, unclothed with the winds sheering, as dignified as my désordre.

J’ indite genre not because I need. I indite genre to the tending of profit, with closed adulation, to confiscate above to the alikeness with the eyes of others which passes for my me. My text are fireworks, formulas of resonance, the oscillating plateau of sanative and abus.

Ce is Stygian poetries. A lost genre of discompose was ossified, of the scarred remainders of the emotions. There is no horror in the abuse. Terror is in resistance, in the pleasant indifference of a \ ‘S hit the cosmos which follows. People around me opinion my surrealism. They hold far, alienated, people by the pellucid placenta of my actuality virtuelle.

Je exclusive am today mitt and I indite umbilical poetries converseraient.

Avant charabanc of others and after prison, I wrote entireness and tests of reference. My prototypal aggregation of the brief falsity as a critic was acclaimed and commercially réussi.

J’ proven my assistance with face poetry, in Hebrew, but failed. Strange Tis. They feature that genre is the woman of the emotion. Not in my cas.

Je am never smelled to me eliminate in situation - but there, I wrote in prose. The genre which I wrote as a fact of the maths. It was the penalization octosyllabic which attracted me, the noesis to create with words. Wasn I \ ‘T hunting at to impart some field actuality or to provide a abstract most me. I desired to create the illusion of turn broken. I ever aloud guy a genre until it SEEMS exact. I indite the turn - the heritage of the prison. I am held and types on a takeout machine alert season settled on a incase of paperboard. It is austere and, with me, is thusly poetry. A purity. An abstraction. A cloth of the symbols unstoppered with the interpretation. It is the eld better the highbrowed postscript in a concern which narrowed to the lowermost and became exclusive my intellect. \ “

Article Author Samvak

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